Brother, Can You Spare Some Change?

I’ve written about my oldest brother before, but in sum: His name is Donnie and he’s an alcoholic. And a drug addict. And homeless.

Last week, my mom was driving to the grocery store in New Jersey when she noticed someone familiar walking along the highway. He was wearing red shorts, no top, and was carrying a black bag. As she got closer to this man she realized it was my brother, her eldest stepson. Unable to pull over and unsure of his mental state, she called my dad to let him know. Everyone assumed he was either on his way to our shore house or to his brother, David’s house (less than a mile apart). But everyone was wrong. After days of Donnie-free sightings, David learned that Donnie had been sleeping on the beach.

It’s kinda weird to hear a story like this about a family member. A man walking along the highway, barely clothed, sleeping on the beach. Almost every day I walk past a homeless person on the streets of New York and think ‘how did they get there? where is their family?’ And now I wonder how many people saw my brother and thought the same thing.

It’s very simple for me to close off any feelings for Donnie. He’s over 20 years older than me (my dad started “playing house” pretty early) and he’s always been in and out of the picture. In when he needs something. Out when he’s flying high. The stereotypical rambling man, or prodigal son. I owe him nothing and he owes me nothing. We simply share half a bloodline. Hell, I remember the time when he showed up to one of my high school basketball games. He walked into the swankiest prep school in Philadelphia covered in tattoos and beer gut in full force just to embarrass the living shit out of me (at least that’s what I thought at the time). I swear one of my teammates actually asked what the homeless dude was doing there. Worse than Peter denying Christ, I wanted to deny my brother more than three times. And just last summer, I made fun of the fact that he was selling French Fries on the boardwalk. A grown man working a minimum wage job that high school kids do for the summer? O-M-G. Soo em-barr-ass-ing. We are so not related.

But sleeping on the beach? Walking from town to town without a shirt on his back? No money. No cellphone. I can’t make fun of it. I can’t roll my eyes. Goddamn it brother, why are you in my life at all?! I’m frustrated by my powerlessness, by his helplessness. Do you know what it’s like to want to reach out and help someone while fully aware there’s nothing you can do? Sure you do, you’ve walked past a homeless person before.

I can’t give Donnie anything that will change his life. Not even my love. If you give a bum some change, you don’t change his life. I could give Donnie all the money in the world–it would not alter his reality. This is how he chooses to live. Addicted. Schizophrenic. Literally. Do you know how many times I’ve referred to someone as psycho? But my brother really is. Thanks to a life spent shooting, smoking, drinking and snorting he’s damaged goods. He’ll call my parents at odd hours just rambling on about things that don’t make sense, about people out to get him. All they can do is just listen. They’ve tried getting him help, putting him in homes–he just leaves. None of us know what he’s after or where he’s going. We can only watch him walk along the highway; hear him ask for change.

From what I understand, Donnie started drinking at age nine and added drugs around 12 or 13. No one knows why. No one understands. It’s like cancer and car accidents–some people get it, get hit and some people don’t and it never makes any fucking sense. It’s a simple twist of fate.

“A saxophone someplace far off played/As she was walking on by the arcade/As the light bust through a-beat-up shade where he was waking up/She dropped a coin into the cup of a blind man at the gate/
And forgot about a simple twist of fate.” -Bob Dylan, Simple Twist of Fate

To hear the original track from the album Blood on the Tracks cut and paste this URL into your browser:

http://popup.lala.com/popup/504684642123677280

And here, a Jeff Tweedy cover of Dylan’s song with altered lyrics:

Don’t Try This at Home

(Wednesday afternoon. Two girls sit at their desks, avenues and offices apart. They strike up their usual conversation over AIM.)

Friend: “Do you have a minute to play arm-chair psychologist?”

Me: “Always.”

Friend: “I want to know why every time I watch Friday Night Lights, I cry.”

Me: “Probably because it touches you somehow. I cried the first time I saw Almost Famous and that movie ain’t sad. And then I became obsessed with working for Rolling Stone.”

(Conversation moves on to people and things we hate.)

How many people do you know chose their careers based on a movie? Seriously.

Up until junior year of high school I dreamt of becoming a lawyer. My mom would actually take me to courthouses just because I wanted to know what they were like inside. Then a few debate club losses later (among some other teenage disappointments), I gave up on that dream. In the midst of all the typical teenage drama, I discovered music. Not just any music–classic rock, my friends. Zeppelin, Dylan, Joni, the Stones, Greatful Dead, and most importantly, Fleetwood Mac. I honestly cannot say why or how lead singer, Ms. Stevie Nicks, reached me at the age of 16 (“Edge of 17” maybe?), but the bitch moved in and still won’t leave.

In my quest to learn everything possible about these bands that I loved from a time before I was born, I spent hours on the computer doing research. While the rest of my friends studied for AP classes and went to basement keggers, I sought out unreleased albums, out-of-print books and old articles. On one of these nights, I discovered a Rolling Stone article written by Tim White titled “Out There with Stevie Nicks.” It was the best piece of writing I’d come across in my life. I actually looked at the byline, something I never did. And then it all kind of came together. I wanted to go to there. I realized that yes, I had been in debate club, but I also wrote for the newspaper and was a die-hard member of poetry club. I wrote for fun as a kid. I even won awards for it. It was an early A-Ha! moment. I was born to be a journalist. And once I saw the film Almost Famous, I did indeed cry. I cried because what I saw on screen was what I wanted from life. I wanted to be with the band.

Fast forward to sophomore year in college. I scored an internship with none other than Tim White at Billboard magazine. I was writing reviews and listening to CDs all day and I was blissful. And then Tim died. He had a heart-attack in the lobby of the building. I hadn’t even really spoken with him yet. I was just waiting for the right moment, but it never came.

A couple of years later, I knocked down the doors of Rolling Stone and stayed there (for free) until they pretty much kicked me out. Even though I didn’t want to leave, it wasn’t the environment I was holding onto. It was my dream.

I learned an invaluable lesson in my pursuit to be a rockstar writer: Dreams can come true. You can get to where you’ve always wanted to go, but the catch is it’s nothing like you dreamt it would be. That’s some painful shit.

As one of the groupies in the film said (in reference to the new wave of girls hanging out backstage):

“I mean, they don’t even know what it is to be a fan. You know, to truly love some silly little piece of music, or some band so much that it hurts.”

That’s just it. You can want something so badly it hurts. Just to get near it almost destroys you. You unwillingly change, whatever it takes, to stay there. But all the while you know something isn’t right.  See, the party is over and it ended before you even arrived.

Sometimes I think I should throw in the towel with my writing career and go to law school, and sometimes I think I’m the best music journalist that will never be. That’s the nature of dreams. They don’t die. They creep up on us in movies and music and in books. Something or someone can touch us so profoundly there are no words, there’s just that familiar feeling.

“And the days go by/Like a strand in the wind/In the web that is my own/I begin again/I went today/ Maybe I will go again tomorrow/The music there it was hauntingly familiar/On the edge of 17…”

When interviewers ask me where I want to be in five years or what my dream job is, I’m honest with them. I don’t believe in dream jobs and I don’t believe in destinations. For me, it’s what I’m doing at that job and who I’m doing it with. So while I’ll still fantasize about backstage press passes, I know I may never get them and I’m not gonna die trying. I don’t need to. Happiness can’t be sought–it’s discovered, and in the least expected places and people. There is no Hollywood script. There are no happily ever afters. It’s what happens to you while you’re busy making other plans (thank you, John Lennon).

“I always tell the girls, never take it seriously, if ya never take it seriously, ya never get hurt, and if ya never get hurt, ya always have fun, and if you ever get lonely, just go to the record store and visit your friends.” -Penny Lane

“I’ve Seen All Good People,” Yes. My favorite song on the Almost Famous soundtrack.

You Are Who You Come From

Grandmom Edith

“Sorrow found me when I was young/Sorrow waited, sorrow won/Sorrow that put me on the pills/It’s in my honey it’s in my milk.” -The National

My grandmother and I never got along. In fact, when she was dying her last words to me were, “I’m going to haunt you.” Grandmom Edith knew that I was easily freaked out, especially by the paranormal. I replied: “Good.”

I never understood how or why my mom’s mom got along with all her other grandchildren except for me. She and my cousin Jenny exchanged letters full of sweet “I miss yous” and “you’re such a good girl,” but her directives to me were always along the lines of “go get me another beer.” I was nine.

I wanted my grandmom to be like all my other friends’ grandmothers–to spoil me with candy and homemade cookies. But no such luck. My parents used to leave me with her for entire weekends when they needed some alone time. Here’s how the weekend usually went:

Friday night: Grandmom presents me with my beloved Party Mix snack–that delicious junk food potpourri of chips, pretzels and cheese balls in a bag. I eat it and she asks how I could possibly eat so much.

Saturday: Edith makes a huge breakfast–steak and eggs. I can’t finish it. She is offended and shocked– “How can you not finish that? There are starving kids in Africa!” We make a run to her liquor store where she picks up a six-pack of Old Milwaukee beer and a 12-pack of Parliaments. Then back to the apartment to watch Dallas and old made-for-TV movies.

There was no story time with my grandmom, no walks to the park or special trips to the toy store. With Edith, there were beer mugs in the freezer and witticisms I was too young to understand, spoken between cigarette puffs.

Exhibit A: Letter to Edith from her criminal grandchild.

I was no ideal child, don’t get me wrong. I challenged everything and everyone as much as possible. If my next door neighbors had toys that I wanted, I simply “borrowed” them when they were not home. I also had no problem stealing on Easter. The holiest day of the Catholic year and I stealthily put a pack of colored pencils in my jacket after my mom refused to buy them. And then at home, cool as a cucumber, I opened the pencils and started coloring in front of everyone. Edith asked me where I got them. “From the store,” I said.

Lots of kids steal things, but usually their parents drag them back to the store and embarrass them so profoundly that they learn a lesson. My mom just rolled her eyes and I got what I wanted without punishment. Jenny never would have done something like that.

But bad kid or not, my dad’s mom and I got along famously. (It was possible for me to get along with others.) Grandmom Marge was nice and sweet and funny and affectionate and she cooked Italian food. She was the best. (I still believe she’s my guardian angel. We all deserve one.) So what was wrong with me and Edith?

Today, my mom calls me Little Eddie. She says the older I get, the more I remind her of her mother. Great. So I’m the wicked witch of the west. There are certain attributes Edith and I do share: I have her nose, the shape of her face, and I scrunch my nose, close my eyes and show my top teeth when I laugh, just as she did. I’m also full of wit. (Not charm.)

My mom loves sharing her mom’s sayings, such as: “When money doesn’t come through the door, love goes out the window,” or “Never tell a man everything he doesn’t want to know,” and “What’s in the marrow comes out the bone.” We could write a book full of Edithisms. Her old quips make us laugh and we know there is truth and wisdom in them. We have our theories on why Edith was the way she was. We’re all a sum of our experiences. And she had some brutal ones.

I’m still mad at my grandmom though. She’s won our war; she haunts me.

Call An Ambulance

Whenever I hear an ambulance go by (which is often by the way, when you live in Manhattan) I get jealous. That’s right. Jealous. There goes someone who’s obviously getting the attention and care that they need. Their problem won’t have to wait long. And then I get pissed off. Not only is this person getting help, he or she is also making it obnoxiously known by holding up traffic and assaulting my ears.

I have a thing for ambulances. I have this fantasy that one day the sirens will come to my door and take me away. Let me explain:

There were times in my life when I knew I was dying. Like that day in the summer when I forced, yes forced, my mom to take me to the hospital because I was sure I was having a heart attack. See, I had consumed close to 10 cups of coffee that morning because I didn’t realize it would do anything other than wake me up. Well, one emergency trip to the hospital and a hefty insurance bill later, I realized I wasn’t dying. Or having a heart attack. Just as my mom had assumed, I had too much caffeine. But you try telling a teenage me that I’m wrong.

Then there were the times in my life when I wanted to die. Those post-grad years when I was making $15 an hour running errands for editors. Suicidal poets and writers like Sylvia Plath, Anne Sexton and Elizabeth Wurtzel were my heroes. I, too was a tortured soul! I actually admired the ability to stick one’s head in the oven. But I’m bad at being suicidal. If I take a bottle of pills or stick my head in the oven, I’m going to ask someone to call an ambulance.

The thing with ambulances is their immediacy. Their efficacy. There’s a problem put on rush and solved as soon as possible. No one tells a gunshot victim that time heals all wounds. That’s how I wish life would be–here’s my injury, it’s severe, fix it. NOW.

If I were to call 9-1-1 right now it would go something like this:

Operator: “Hello, 9-1-1, what’s your emergency?”

Me: “Hi yes, I’m on 9th St at 5th Ave. and I’m afraid I’m never gonna get married and have children and land a high-paying job and–

Operator: “Wait, slow down. Calm down. I can’t make out what you’re saying.”

Me: “–and I’m almost 30 and I can’t breathe and I need someone here right away!  Hello?”

Operator: (click. dial tone.)

I’m not sure when this whole instant gratification thing took root in me. Maybe it’s because I was a spoiled kid, always getting what I wanted. Or maybe my impatience is genetic–one of my grandfathers actually shot someone in the ear to get him out of his restaurant. He actually had a gun chest for situations like this. And then my other grandfather pulled a gun on my grandmother in a jealous rage, the same grandmother whose attitude in life was “is this all there is?” and smoked cigarettes like other grandmas baked cookies. It could also be anxiety passed down from my mother who, in her 50s, couldn’t drive over bridges without Prozac. Or, from my father who rushes us out of the house to get somewhere early. I mean, clearly I come from a solid line of insanity. I’ve certainly sent quite a number of therapists’ and psychiatrists’ kids to college with this genetic legacy of mine.

But before you go call 9-1-1 on my behalf, rest assured that should an ambulance actually come to my door, I’d probably ask for a cab. I mean, red flashing lights and sirens? How gauche. I know very well that my emergencies aren’t anything an EMT can fix, even if he was a psychology major.

The truth is that I just don’t like to wait for anything. I rarely go with the flow. I prefer plans with backup plans. I like to feel the water before diving in. So when people or situations enter my life without answers, plans, or guarantees my brain cells go all Code Red. What is this unknown and how can it be known?

I’m never gonna stop being me. (Fortunately for the mental help profession.) And I’ll never be fixed–not in one place or time or thought. So maybe patience will come naturally the older I get. I mean, I don’t rush to the hospital anymore convinced I’m dying. And I certainly don’t want to bake my head. But until I sit lotus style and breathe like Buddha, does anyone have a good prescription?

“Because I will be your accident if you will be my ambulance
And I will be your screech and crash if you will be my crutch and cast
And I will be your one more time if you will be my one last chance” – TV on the Radio

Confidence Lost

If confidence is lost, did you ever really have it?

Born to write. Born cursed.

Friday, April 23rd, 9:31 pm. I’m sitting on my couch, on the phone with my mom for the third time in one day.

Me: “Do you remember when I was little?”

Mom: “Of course I do.”

Me: “Tell me your favorite memory.”

Mom: “Oh here we go again.”

Me: (laughs) “Come on, tell me something funny I did as a kid!”

Mom: “I don’t know. I can’t think right now. You woke me up.”

Me: “Sorry. (pause) Do you remember when I used to put shit in your bed?”

Mom: (quietly exasperated) “What?!  No.”

Me: “I cannot believe you don’t remember this. Whenever I was mad at you I’d put potpourri in your pillow case and under your sheets so it would poke you and make your bed smell.”

Mom: “I probably liked it.”

Me: “You’re crazy. Go back to bed.”

End scene.

You know things are bad when you call your mom for a mood lift. There are so many things wrong with this. For starters, moms are meant to annoy. No matter how much I resent her self-help b.s., she somehow always convinces me to drink the Kool-Aid. Tell her you don’t want any and she’ll give it to you anyway.

Secondly, moms are blinded by bias. Of course she’s going to tell you you’re qualified to be an editor-in-chief at 29 even though the closest experience you have for this job comes from bossing around your stuffed animals and dolls from ages five to 11. Or 12.

Lastly, moms are bad with the tough love. When my mom tries to tell me to suck things up, I just want to put potpourri in her bed again. I demand my bottle, my bath and my bedtime story please.

So clearly my mom can never win (as her daughter, it’s my job to set her up to fail), but I still love her and this is all beside the point. The point here is that I’m so desperate for a confidence fix that I’m searching between the couch cushions for it.

How did this happen? I’m the girl who’s famous for the line “clankity clank,” which is short for “pull out your brass balls and fight for your right.” Let those mo-fos in charge know who you are.

And here I am. Stuck. In my own mud. Sure, I can blame getting laid off a year ago. I can blame my current mind-numbing job. I can blame myself and I often do. There are plenty of culprits in the lineup for confidence robbery. But at a certain point, I need to pull out of this mental quicksand and pull out my brass cojones. If there’s one thing my mom’s personal PSAs have taught me it’s think it and you’ll be it. But how can you believe in your talent without the success?

I know, pray to Buddha, right? It’s not all about the material recognition. Fuck that. Look, I’ve prayed to Buddha and Jesus, to Rolling Stone and Fleetwood Mac. I’ve paid for therapy and medication and opened myself up to love. I’ve given up security for the chance of something better. And the only thing I can tell you is that in America, success matters. It’s measurable. And I want it. But first, I need my confidence back.

Wristcutters…The Movie. And, The Meaning of Life.

I just finished watching the film Wristcutters (2006), written by Goran Dukic. The movie is about a bunch of people trapped in a dreary purgatory created specifically for those who have “offed” themselves. The people who run this purgatory are referred to as the P.I.C., for people in charge (how great is that?!). They decide who got there by accident, who gets to leave and who has to stay. In purgatory, as in life, there is an order that doesn’t make sense.

Sounds like a real upper, doesn’t it? Well, although you’d think I’d need to keep a box of Kleenex and my therapist’s phone number nearby, the film was actually funny. In a dark way, of course.

I’ve always seen the darkness and the humor in almost everything. It’s either my god-given talent or a severe mental malfunction, but that’s neither here nor there. What touched me about the film was the main characters’ desire to figure out the MEANING OF LIFE and how they fit into the whole mess.

Everyone with a brain can relate to the desire to understand LIFE. But not everyone can relate to wanting to die. Anne Sexton, who offed herself in 1974 and is one of my favorite poets, wrote:

But suicides have a special language. Like carpenters they want to know which tools. They never ask why build.” –Anne Sexton, “Wanting to Die”

I’ve been there–at that confusing point in your journey where nothing makes sense, where lines cross and goodness is blurry, and the option of jumping off the train is more appealing than staying on the ride. But luckily, unlike the characters in Wristcutters, unlike my favorite poets, I didn’t have to kill myself to realize that death isn’t THE GREAT ANSWER.

The thing is, none of us are above getting lost. None of us are above needing something to believe in. Something to hang onto. All I can say is that I’m glad I’ve stuck it out so far because it feels like every five years or so I experience a rebirth (I think they call this maturity?). The longer I deal with this life thing, the more I learn to shake my head, laugh, and say to the P.I.C., ‘what have you got for me today?’

Today’s musical companion is “Home,” by The Engineers.

“Home/Is this my home/Been starting over/Bathe in the water/Time/Time after time/I’m feeling so sorry/I run out of words to say/Relieved/I’m so relieved/The tables are turning/Don’t sacrifice this feeling/Goals/There are no goals/There is no order/Paid for in laughter/Home/Is this my home/Been starting over/Bathe in the water.”

Then We Came to the End…A Question of PTSD

Then We Came to the End, written by Joshua Ferris, is a book about getting laid-off. And it’s fucking hilarious. Except getting laid-off in real life–as I was around this time last year–is not so hilarious.

Instead of being able to smugly shrug off the fact that I got canned (without warning, I may add, like a goddamn terrorist attack), I freak out on a daily basis that I’m going to lose the job I have now at any minute. It’s that survivalist mentality
(you know, of people who actually lived through terrorist attacks and war) that it’s going to happen again!

Post Traumatic Stress Disorder is defined by the National Institute of Mental Health as: “an anxiety disorder that can develop after exposure to a terrifying event or ordeal in which grave physical harm occurred or was threatened.” OK, so maybe I don’t technically suffer from PTSD–losing my job wasn’t exactly a physical trauma (but I do have flashbacks, mmm…k?). But seriously, for someone who places so much importance and pride in the work I do, getting let-go, laid-off, fired, canned, axed, was traumatic. I became a victim of sorts. As Ferris writes in his book: “Every lovelorn jerk is the victim of bad timing, good intentions, and someone else’s poor decision making.” Yup. One day you walk into your job and walk out never to return.

The point of no return for me came right before I was supposed to have my six-month review. I was called into HR the day before my review was scheduled and was told that I just wasn’t the right fit. (I’ve since learned that this meant I didn’t fit into the budget anymore.) If you want to know the nitty-gritty details of what happened on that fateful day, just check out an “anonymous” post I wrote titled “The Editor and the Cockroach: A Tale of Karmic Retribution. Or Something” for my friend’s blog, Your Unemployed Daughter.

Now, close to a year later, I’m still freaked out about losing my job whether it’s babysitting or editing. People tell me I should be proud of myself and the fact that I never went a day without work, even after getting laid-off, and how that proves how talented I am. But in my mind, there’s a difference between surviving and excelling. I survived. It was instinctual. But I always imagined I’d be an accelerator, running fast up that ladder to the tippy top. This is my post traumatic stress disorder: I’m haunted by failure. The vision I had of my career path hasn’t quite materialized. Instead, I’ve been on this unpredictable ride where there are terrifying delays and entertaining rest stops with some lucky opportunities in between. I once knew where I wanted to land, but experience has taught me to stop looking so far ahead. In the meantime, I wish I knew how to avoid hearing the bombs of fear go off in my head.

We hated not knowing something. We hated not knowing who was next to walk Spanish down the hall. How would our bills get paid? And where would we find new work? We knew the power of the credit card companies and the collection agencies and the consequences of bankruptcy. They put your name into a system, and from that point forward vital parts of the American dream were foreclosed upon. These were not Jeffersonian ideals, perhaps, on par with life and liberty, but at this advanced stage, with the West won and the Cold War over, they too, seemed among our inalienable rights.” -J.F.

Today’s musical end note is provided by Led Zeppelin. “Ten Years Gone” is my favorite song of theirs, for good reason.

If you’re too lazy to listen to 8 minutes of brilliance, at least check out the lyrics here.